Gear Talk - October 11, 2020

Jannis’ Pedalboard Presentation

We just released the first in a series of videos featuring Jannis exploring and explaining his approach to creating music with effects, looking into his favorite builders and designs, favorite combinations of effects and his unique pedalboard setup!

1. The guitar goes into the multipedal’s input A.
The ROLAND CR-78 analog drum machine, ELECTRO-HARMONIX Random Tone Generator, Widara Distant Voices Theremin and hair-comb (w. KORG CM-200 contact mic),  go into a small 4-channel mixer the output of which feeds the multipedal’s input B.

2. Effects’ signal chain:

JAM pedals Seagull
JAM pedals Wahcko controlled by onboard pot + Expression pedal
RAINGER FX Air Space Invader
JAM pedals Dyna-ssoR
JAM pedals Lucydreamer
JAM pedals Tubedreamer
JAM pedals Rattler
JAM pedals Eureka
JAM pedals Red Muck mk.2
ZVEX fuzz factory
EARTHQUAKER DEVICES Bit Commander
DIGITECH HarmonyMan
HILTON Volume Pedal Pro
JAM pedals Boomster
JAM pedals Chill
ELECTROHARMONIX Freeze
VERMONA Lancet
EVENTIDE PitchFactor
ELECTROHARMONIX Bass Microsynth (with dry/wet pot)
BOSS Slicer
LOVETONE Ring Stinger
MERIS Ottobit jr
OTO Machines Biscuit
ALESIS Bitrman
JAM pedals Big Chill
JAM pedals Retrovibe
JAM pedals Ripply Fall
ELECTROHARMONIX Super Ego with a JAM pedals Ripply Fall and a ZVEX Ring Tone in its FX loop
JAM pedals Delay Llama
JAM pedals Delay Llama XTREME
DIGITECH DITTO x2
ELECTROHARMONIX 45000
STRYMON Timeline
STRYMON Blue Sky
BOSS LOOP STATION RC505 Left input and then from the left output into a ’65 Blackface Fender Bassman into 2×15″ Dual Showman cab

3. The DOEPFER Dark Energy analog-synth controlled with Studiologic’s MP-117 Midi Bass Pedal feeds into the right input of the BOSS LOOP STATION RC505 and from its right output goes into a Walter Woods Blue Light Electroacoustic bass amplifier.

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